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Lara Croft ist die Protagonistin der Video- und Computerspiel-Serie Tomb Raider. Erfunden wurde Lara Croft von Toby Gard, der damals noch bei dem Softwarehersteller Core Design Ltd. in Derby, England, angestellt war. Lara Croft ist die Protagonistin der Video- und Computerspiel-Serie Tomb Raider. Erfunden wurde Lara Croft von Toby Gard, der damals noch bei dem. Lara Croft: Tomb Raider. aus Wikipedia, der freien Enzyklopädie. Zur Navigation springen Zur Suche springen. Film. IMPRESSUM Dasoffizielle Buch zu Lara Croft Tomb Raider: Legend ist eine Produktionvon Piggyback Interactive Limited. Herausgeber: Projektleitung: Konzept. xxl-estate.eu: Finden Sie Lara Croft: Tomb Raider in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Lara Croft: Tomb Raider. ()IMDb 5,81 Std. 36 MinX-Ray Ungewollt gerät die Tochter des verschollenen Archäologen Lord Croft ins Fadenkreuz. Lara Croft kehrt zurück im neuen Videospiel "Shadow of the Tomb Raider". Doch neu ist daran eigentlich nichts. Warum bloß lieben wir Fortsetzungsreihen so.
Die im Nahkampf ausgebildete Lara Croft muss lang verloren geglaubte Relikte wiederfinden. Im Bösewicht Powell findet sie einen ebenbürtigen Gegner. Lara Croft ist Hauptfigur der Computerspielereihe Tomb Raider, deren erster Teil erschienen ist. Seitdem ist die Grabräuberin - Tochter aus adeligem. lara croft: tomb raider. 
Lara Croft Česko-Slovenská filmová databáze Video
Evolution of Tomb Raider Games 1996-2018You can use this widget-maker to generate a bit of HTML that can be embedded in your website to easily allow customers to purchase this game on Steam.
Sign In. Home Discussions Workshop Market Broadcasts. Change language. Install Steam. Your Store. Browse Browse. Community Hub. Lara Croft and the Temple of Osiris is the sequel to the critically-acclaimed Lara Croft and the Guardian of Light, and the first-ever four-player co-op experience with Lara Croft.
All Reviews:. Crystal Dynamics. Square Enix. Popular user-defined tags for this product:. Sign In or Open in Steam. Bad Language Violence Online Gameplay.
Includes 40 Steam Achievements. Publisher: Square Enix. Franchise: Tomb Raider. Share Embed. Read Critic Reviews. Add to Cart. The only place I had not explored yet was against the current of river stream, above the large waterfall.
Perhaps the machine was there. Getting back to the top of the waterfall was not as difficult as I had imagined, being reasonably careful when stepping on the wet stones did the trick.
However, when I got back to the corridor through which I first entered this area, I realized the waterfall was the least of my problems.
If the river had ever been bridged, time and humidity managed to decay the structures so that there was no longer a single proof of their existence.
I had no other option than to start jumping. When I talk about jumping, I do not intend to pretend false modesty; I am rather good at it and my results could be envied by many a sportsman.
But there is a significant difference between trying to outdo your best result — only a number, and if you find yourself missing a centimetre or two, nothing happens, and trying to leap across a turbulent river leading directly to a waterfall, all in a dark cave corridor.
On top of that, the landing area is not the annoying yet soft sand, but wet stones covered in slime, which has been getting sprayed by water for centuries.
In hindsight, I was truly lucky to have no audience. And even though the description may sound humorous, the ensuing struggle against the stream which keeps dragging you under the surface and a few seconds later sends you flying off a bloody tall waterfall, all that is simply something you do not wish to repeat.
Preferably ever. After I surfaced, coughing and spitting water, I managed to drag myself to a stone shore and decided to weigh my options.
I was lucky to be launched from the centre of the waterfall, so I dropped directly to the pond and did not break any bones on the sharp rocks on its sides.
The problem was, I may not be this lucky the next time. I found my way back to the place of my unfortunate fall and decided to examine the rock below me in more detail.
I soon found several poorly visible hollows, full of those treacherous fungi. I wiped off the ones still clinging to my soles and before I made my second attempt at crossing the river, I made sure to precisely plan my steps, to avoid those dangerous spots.
Only then did I hold my breath and leap across the water. It worked! So what if the landing was not completely stable. The main thing was, I managed to get across.
And even though I still had a long way to go, at least I found a safe way to progress. I continued in the same way, careful examination, step planning and the final, hopeful leap, I even had to grab a slippery ledge once to keep myself from falling.
It was only through sheer strength of my fingers which managed to fight their way through the thick growth to a firm rock that I did not repeat my trip down the waterfall.
Finally, I pulled myself up to an elevated corridor. The rest was relatively easy. I soon found my way between its stone walls, and then I finally saw the mechanism that I was looking for, just on the opposite side of the river.
It seemed to be missing those exact three cog wheels which I had found. There was also a bridge on this side of water, a surprisingly well-preserved one.
Maybe it was able to endure the humidity because it hung quite high above the river. Whatever the reason, it still held my weight and I could finally approach the mechanism, insert the cog wheels and pull the lever right next to it.
The following sound was truly thunderous and echoed throughout the whole cavern, so it took me a while to understand what had just happened.
The former inhabitants of this city were far more skilful than I had given them credit for — they managed to construct a controllable dam!
I kept observing the water, as the stream became thinner and calmer. Before leaving the area, however, I decided to explore the newly opened door to my left.
What I found was definitely not nice, but very useful. Some truly unlucky chap made his way to the ledge behind the door, but then it probably closed on him and he was left stuck there, unable to return to the main corridor.
All that remained of him now was a skeleton. And right next to that skeleton I found two things which I promptly collected — not that he would be needing them anyway.
There was a new roll of film, which means I can continue documenting this fascinating city. The second object was a shotgun. I wish I had that when I found myself in that raptor hell a while ago!
Now was the time to head back to the waterfall, hopefully for the last time. Of course, it was nothing like before I pulled that lever; there were some lazy streams of water here and there, but otherwise the rock face was bare.
In it, I could see an entrance which had been completely inaccessible just a few minutes ago. I wasted no time swimming right to it, entering the corridor which led me deeper and deeper I am definitely headed the right way.
They somehow managed to construct a door with a sealing technology so great that it managed to keep the ever present humidity out of the tomb for centuries.
The breeze coming out of the newly opened passage was cold, but dry. I could only imagine what I would find inside — the architecture I had encountered before I entered the waterfall region was impressive, but if there was an area unaffected by outside conditions I followed the stone corridor deeper and soon reached what seemed to be a central room.
And just as I had hoped, it was undamaged — the colours vibrant, the statues still retaining their sharp edges and astonishing details.
The walls were decorated in a manner I had seen before, but the level of preservation was nothing alike — the whole hall appeared to be only recently abandoned, something I knew could not be true.
Centuries were passing by, but this place remained unaffected. I took one last look at the tall ceiling and sighed.
Unfortunately, I had an artefact to find, so a few pictures would have to do. The door to my left was closed, so the only way I could proceed was ahead to a steeply rising corridor.
Something kept telling me to stay alert and, just as I neared the top, the feeling proved true — a huge stone ball dropped in front of me and started rolling right at me.
The rumbling echoing in the tomb complex was almost deafening. I immediately turned around and sprinted back to the main hall, but it truly was a close call — the rock missed me by mere inches, smashing into the stone corridor I had used to enter.
I just hoped the impact would not collapse it, as it was my only possible exit. After I caught my breath, I decided to try again.
There was an ornamental gate at the top of the slope, and behind it — the Scion! Unfortunately, it would not budge.
I must have missed something in the main hall and, as I made my way back there, I noticed what it was; a lever, hidden behind one of the statues next to the entrance.
And just as I pulled it, I heard a screech which was just as familiar as unpleasant. I wondered what would happen first, if I would run out of bullets or if this place would run out of these annoying carnivorous reptiles.
I hoped for the latter. I soon stepped over the two scaly carcasses and realized that I had severely underestimated the size of the tomb.
What seemed to be merely an entrance hall and an inner chamber was in fact a whole underground complex of similarly decorated rooms, and enormous ones on top of that.
A main hall with side corridors in various heights, striking signs and symbols in the sea of orange and red, spikes still covered in long-dried blood of whoever was unlucky enough to test their functionality I suppose this is a good moment to mention how much I adore this tomb, apart from the screechy and moving bits.
While I was making my way through a maze of vibrantly painted walls, I wondered how this place was constructed. Just how much planning must have gone into this!
The ancient builders must have spent decades alone building this tomb. Any mistake in their calculations could have proved fatal, as the whole structure was still underground, buried inside a mountain.
What I truly love during my expeditions is experimenting with old mechanisms implemented in the sites I visit.
Most of the time they do not work, but from time to time, they tend to impress me. The Tomb of Qualopec did the latter; as I pulled a lever in one of heightened corridors, I heard a sound.
Of course, that is nothing major —it could have simply been something breaking, as these mechanisms often do. This sound, however, suggested something heavy moving, and when I re-entered the main hall, one of the huge red blocks I had previously seen had moved across the room.
No rails, no slope, no reasonable explanation. The block just casually moved across the room because I had pulled one small lever. But I am pressed for time and while I managed to navigate the complex and open the way towards the Scion, I feel hardly noticeable trembling beneath my feet.
I think that I must be nearing the inner chamber now. I have to move quickly if I want to escape this tomb alive — with the artefact, of course.
When several things go wrong in very rapid succession, it is difficult to keep track of them all. Now that my day is over and I finally have time to write them down, I am wondering where exactly things started spiralling out of control.
Was it when I took the Scion? When I shot those raptors, did the sound upset the fragile balance of the ancient site?
Or was it because just after I accidentally reduced a beautifully decorated inner chamber of Qualopec's tomb to rubble, my temporary employer insulted my skills by sending one of her killers to retrieve the artifact, and not an elite one, no, but a slow Texan monkey?
I will probably never know. When it comes to things I will never know, another one is: how on earth do you build a tomb that immediately starts falling to pieces when you remove something from a seemingly innocent-looking pedestal?
How can a large hall supported by massive statues topple the very second the artefact is taken, yet the not-so-subtle T-Rex stomping not so far from here had not even upset the paintings on the facade?
I simply refuse to believe that the tremors I felt earlier coincidentally reached the critical point at the same moment I touched the Scion.
Setting the place to self-destruct like that is, while I cannot appreciate it due to the wasted archaeological potential, an admirable show of skill.
On the other hand, it could have been the artefact's power keeping the tomb intact. No artefact, no tomb. Now that I have made sufficient excuses for the destruction of one of the best preserved sites I have ever seen, let me describe the inner chamber in more detail.
It was one of the larger rooms inside of the complex. The paintings on its walls were very similar to what I have seen in the previous rooms.
The supporting statues were also the same, but the rest was very different. In the middle of the room, there was a pedestal decorated with four golden idols and above it, the Scion was floating.
But I decided not to reach for it yet. What was behind the pedestal was equally as interesting. Two unusually tall and slender mummies were placed standing next to a throne, as if they were guarding it.
There was a skeleton on it, collapsed to the side, yet the bleached bones miraculously still held together. I wondered why there was no sarcophagus, why the revered Qualopec deserved such a magnificent tomb, but no true resting place.
But before I could explore his remains further, one of the mummies moved. I would not really call shooting it straight in the head an overreaction, but I was in no mood to test how alive or dead the thing really was.
Especially since its legs were strangely crooked and when I took a better look, the proportions seemed I decided I would rather not risk the other one waking up on me when examining what it was guarding.
I took a step back and grabbed the Scion. One destruction of a priceless tomb later, I exited the stone passage. I just had to swim across the pond under the former waterfall and I could be on my way back, when someone shot at me.
That someone was the charming fellow who approached me back in Calcutta and who probably forgot his lesson from Rome — that I do not take kindly to being shot at or stolen from.
Once defeated, Larson provided some comic relief in a form of very specific threats. I was just about to leave and let him lick his wounds — at least before the remaining wolves find him — when he unknowingly said two very important things The site's consensus is "Angelina Jolie is perfect for the role of Lara Croft, but even she can't save the movie from a senseless plot and action sequences with no emotional impact".
IGN gave the movie the lowest score, a 0. Here is a movie so monumentally silly, yet so wondrous to look at, that only a churl could find fault.
Tomb Raider was a box office success. Director Simon West would comment a decade after its release that the creation of Lara Croft was influenced by a film market "wasn't used to women leading summer blockbusters".
She had all sorts of thing written about her—some obviously not true. She was a young woman experimenting. Lara Croft: Tomb Raider is a soundtrack album to the film.
The various artists soundtrack was released June 15, The Score was later released on June 25, These were not featured on the soundtrack.
Also used in the movie were elements of " Elevation Influx Remix " by U2. This was uncredited. For the first Tomb Raider film, Nathan McCree was hired, though the producers eventually decided that a feature-length film needed a feature-name composer.
Therefore, they hired Michael Kamen , despite the fact that his score for the similarly cult X-Men the previous year failed to arouse the interest of many of the concept's followers.
Kamen wrote and submitted a demo for Tomb Raider, but no feedback on that music was returned by the director or producers. Only during the process of recording a second demo did Kamen finally hear back from the Tomb Raider team, and by then, the lack of enthusiasm for the relationship on both sides caused Kamen to seek other projects that were more promising to him namely, the HBO show Band of Brothers , requiring 10 hours of music.
Thus, the producers of Tomb Raider were forced to hire another composer at the very last minute. The man hired for the last minute assignment was Graeme Revell.
The CD was released through Elektra Entertainment , but as noted by Revell and after failed attempts to stop the pressings, the tracks were mislabeled.
The resulting score was so poorly received [29] that the composer himself issued an apology through his website. GK Films first acquired the rights to reboot the film in From Wikipedia, the free encyclopedia.
This article is about the film starring Angelina Jolie. For the film starring Alicia Vikander, see Tomb Raider film.
For the character, see Lara Croft. Theatrical release poster. Release date. Running time. Various artists. Alternative rock electronic.
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Graeme Revell. Film score orchestral. British Film Institute. Archived from the original on August 2, Retrieved November 10, Box Office Mojo.
Retrieved June 19, Entertainment Weekly. June 27, Retrieved December 27, May 15, NY Rocks. June Archived from the original on December 2, The Guardian.
Guardian Media Group. Retrieved May 5, Ziff Davis. Hertfordshire Mercury.
Peter Menzies Jr. Nun kehrt sie auf ihr Anwesen zurück und widmet sich Det Müller wieder dem Kampfsport-Training mit dem Roboter, wobei sie aber jetzt ein für sie untypisch vornehmes Kleid trägt. Ihr wurde gekündigt, nachdem sie sich für den amerikanischen Playboy als nackte Lara präsentiert hatte. Zeit Tatort Raider - Filmtrailer. Dieser wurde vom Computerfreak Bryce entwickelt. John Friedmann Android-Lücke kann Jan Hahn Freundin "dauerhaft" lahmlegen. Das Kopierschutzsystem Denuvo galt bislang als nicht knackbar. In der Regel, so Spencer, sei eine konstant hohe Fps-Zahl einfach wichtiger.Lara Croft - Navigationsmenü
Juni in den Kinos an. Namensräume Artikel Diskussion. Beim Anspielen konnte Golem. Dieser wurde vom Computerfreak Bryce entwickelt.Lara Croft Navigační menu Video
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